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Breaking the Silence |
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| I began work on Breaking the Silence knowing only that I wanted to write a piece about child abuse, a horrific social illness which is alarmingly pervasive in our society. Aside from writing a brief text — which is sung by the soprano, who represents a small child singing a children's song of her own invention — I sought to have the direction and social statements of the piece guided by the interviews of survivors: the freely-spoken words and/or the writings they chose to share. These interviews compose the tape portion of the piece and tell, in words, stories more powerful than a writer could manufacture or a composer could mimic. I sought to bring their stories together, to interweave them, always seeking to have their words understood, but allowing the audience to experience, through spoken vocal polyphony, the struggle of breaking the silence, of having one's words heard. I am aware that the piece is controversial. My only hope is that the volunteers who shared their stories will gain from being heard and that this may help others to break their silence too. In 2009, the piece was submitted to the Break The Silence Project and added to their collection of works on the theme of sexual abuse. |
INSTRUMENTATION DURATION DATE PREMIERE RECORDING DEMONSTRATION SCORES & RECORDINGS
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Listen to the Work: Video of the Premiere: |
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| The tape part is composed of excerpts of interviews with four survivors of child abuse who volunteered to record their stories, as well as portions of the written text, as sung by soprano Angela Mortellaro. The four interviewees were Mike Migura, Michelle Fellow, "SafeAtLast," and Anonymous. The piece is written in surround sound (quad), but is reduced to stereo for the version on this site. SUNG TEXT Ten, ten sleeping pretty ladies Ten, ten lovely little ladies Breathe, breathe, breathing little ladies Breathe, breathe, I’m a pretty lady Breathe, breathe, breathe, you pretty lady Breathe, breathe; it will soon be over —Aaron Alon |
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