Instrumentation

Buy the Score

Peter Pan Suite is a ballet for chamber orchestra in eleven short movements.  The text and music are based upon JM Barrie's Peter and Wendy (1911).  This piece is available in the full version (Ca. 30 minutes, or 45 with optional narration) or as an extracted suite (Ca. 14 minutes).

INSTRUMENTATION
Chamber Orchestra
Wind Quintet, String Quintet (SQ+DB), harp, celesta, 3 perc. (percussion diagram)

DURATION
Full Version: 30 minutes
(45 minutes with narration)

Extracted Suite: 14 minutes

DATE
2004

PREMIERE
21 Nov. 2004
Master's Degree Recital
Kulas Hall
Cleveland Institute of Music
Cleveland, OH
Sean Newhouse conducts
Members of the CIM Orchestra

AWARDS
2005 National Federation of Music Clubs Emil & Ruth Beyer Composition Award

2005 SCI/ASCAP Student Composition Commission Contest Finalist

2005 Mu Phi Epsilon Composition Contest (Postgraduate division, large work category)

RECORDING
Live Recording (Premiere)
Not commercially available

DEMONSTRATION SCORES & RECORDINGS
Please contact the composer.

Program Notes for the Extracted Suite

In "Boy, Why Are You Crying?" (II), Peter is weeping on the floor of the Darling nursery, mourning for his detached shadow.  Wendy takes a needle and thread and sews it back onto him, leading Peter first to delight and then to devilish mischief, as he plans to lure the children from their home. In "Hook or Me" (VII), Hook has captured the children, but Peter comes to their rescue pretending to be the crocodile who hunts after Hook.  Peter and Hook fight gloriously, until Hook falls from his ship into the waiting jaws of the crocodile. In "The Strange Boy at the Window" (VII), the children are on their way home, but Peter flies ahead to close and bar their window and convince them that their parents have forgotten them. Peter, however, sees Mrs. Darling weeping inside and despite all attempts to distract himself in games and mischief, he is overcome by guilt and unbars the window. The children fly into their parents' waiting arms and are tucked into bed.  Peter is left alone outside, staring in at the one joy from which he is forever barred. In "Boy, Why Are You Crying" (X), Wendy tucks her own daughter, Jane, into bed, only to discover that Peter has returned for her.  She turns on the light and Peter discovers, with a jolt, that she is old.  Wendy runs from the room, while Peter sinks to the floor and sobs.  When Wendy returns, it is to find Jane in her nighty flying around the room with Peter. The final movement (XI) is a postlude, recalling some of the themes and juxtaposing both the familiar wonder of Barrie's novel with its darker, more unsettled side, ultimately ending ambiguously.

Biography | Works | Concerts | News | Recordings | Links
©2008 Aaron Alon. All Rights Reserved.