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INSTRUMENTATION: Violin & two Cellos
DURATION: Ca. 8½ minutes
 While Spell is not truly programmatic, the music and movement titles are meant to create a loose story of sorcerers casting a spell. In the first movement (“Spell”), the casting of the spell starts in the violin and is echoed and expanded upon by the second cello. The second movement (“Pagan Dance”) starts as an extension of the first, but gradually builds into a raucous and chaotic dance. The energy continually increases until it is finally suspended at a high point: the spell is ending; dawn in approaching. In the final movement (“Embers”), the fire begins to die. Various motives and themes return and are subject to increasing fragmentation. Though the spell and the fire are dying, the magic only fades from view. The movements are played without pause.
Listen to the piece:
(For slower connections, order a sample CD here.)
Awards
Winner of the 2004 National Association of Composers (NACUSA)
Young Composers Competition, First Place
Performance History
LaTannia Ellerbe, violin; Meaghan Skogen and Gina Pezzoli, cellos
University of North Carolina at Greensboro
Gerardo Hilera, violin; Timothy Loo and Paula Fehrenbach, cellos
California State University, Los Angeles
Nell Stanton, violin; Alyson Berger and Robin Hassenflug, cellos
The Green Mill, Chicago
Oscar Soler, violin; Charlie Tyler and Carl Baron, cellos
Master's Recital, Kulas Hall
Cleveland Institute of Music
Sarah Crocker, violin; Peter Myers and Joshua Roman, cellos
New Music Festival
Cleveland Institute of Music
About the Recording
This is a live recording of a performance in Kulas Hall at the Cleveland Institute of Music, on May 6, 2004. The violinist is Sarah Crocker; the cellists are Joshua Roman and Peter Myers.
All music ©2004 Aaron Alon (ASCAP). All rights reserved.
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